Showing posts with label egyptian. Show all posts
Showing posts with label egyptian. Show all posts

Thursday, January 12, 2017

[Review] Nemesis (#1) - Anna Banks: Egyptians, Racism, and Slaves

In NEMESIS, element forger and princess Sepora flees from her home kingdom of Serubel only to end up enslaved to her nemesis Tarik, the new king of Theoria.

What intrigued me: Not the cover, that's for sure. I came solely for the enemies to lovers trope.



CAUTION: NEMESIS is a book about slavery. The fact that the blurb uses "servitude" instead of slavery (probably in an attempt to sugarcoat) is simply appalling. Google indentured servitude. There's a difference.

Cultural Appropriation and Whitewashing

NEMESIS is pretty much a "how not to" guide for white authors looking to write books inspired by a culture that is not their own. It's fairly obvious that Banks neither used sensitivity readers nor did any research that went deeper than surface level. Learn from her mistakes:

NEMESIS draws heavily from Egyptian and Jewish history and culture. And with "draws from", I mean appropriates. Complete with white savior protagonist Sepora, who starts out as a slave and easily works her way up to becoming a close advisor of the king, mostly because she's so beautiful and unique. This isn't an homage / rewrite / whatever you want to call it. There are no people of color in this book. And no, "olive skin" does not count as a stand-in for brown or black. Since this book so heavily draws from these peoples history, the least it can do is not whitewash them.

NEMESIS doesn't commit and doesn't have the guts to make this an unapologetically African or even African-inspired story and therefore can only be called cultural appropriation. You can't take the existing history of marginalized people, take the bits you like, make it all butterflies and unicorns, and paint it all white to top it off. I have major problems with the way Banks portrays the Theorians, who are very clearly fictionalized brown/black Egyptians. While Banks does not portray them bluntly like savages, thankfully, her portrayal is full of racist microaggressions. 

From calling their language, which very clearly is an allegory to East African languages, primitive, and generally making fun of their traditions, ridiculing pretty much every Egyptian-inspired and -coded tradition they have as redundant and ridiculous as seen through King Tarik's eyes - NEMESIS is incredibly offensive on so many levels. If King Tarik's POV represents how Banks sees people of color, I am absolutely speechless.  NEMESIS is not written for people of color. It really feels like an attack, as an African, to see an author draw very obvious inspiration from an African country but to dismiss pretty much every aspect of their culture that makes them what they are. I cannot speak for Banks' portrayal of the Serubel (faux-Jewish) people and I won't, but I wouldn't be surprised if it's just as bad.

It's not very flattering either that white Sepora's arch enemy is the "olive-skinned" (speak: faux black) Tarik, king of Theoria. It's absolutely not a good idea to insinuate brown/black vs. white conflict without committing to it. This isn't a book about race, so this allusion doesn't belong here. Banks has no business writing about this in the first place.

...and look at all that wasted potential.

I was immediately impressed with the winged serpents and element-forging protagonist in NEMESIS. And Banks also has these interesting two POVs that really complement each other. 

While I'm not necessarily a fan of the writing, which is a little to simple, info-dumpy, and clunky for my personal taste, protagonists Tarik and Sepora's alternate storylines are surely interesting. Sepora's story consists of a lot of wandering around and reckless info-dumps which easily and quickly annoyed me, and Tarik's story packs a punch from the start, beginning with his father dying of a mysterious illness. 

NEMESIS could have been SO good. Exceptional, unapologetic, and big. This book could've been huge if it was only starring a diverse cast and if Banks had bothered to hire sensitivity readers, which she c l e a r l y did not. I generally do not want to read anything about slavery in a book that doesn't tackle race.
  • And I don't know, I don't understand in what world it is okay to pretend that all of these people were white. 
  • And I also don't know in what world writing a romance between a master and a slave without even doing as much as just mentioning the word slavery, and not approaching this topic with the sensitvity and respect it deserves, is okay. 
  • And I also don't know why it seems to be so hard to have the basic decency to hire a sensitivity reader if you're going to write about a culture that isn't your own. 



Rating:

★☆☆☆

 



Overall: Do I Recommend?

NEMESIS blatantly whitewashes and culturally appropriates the history of Egyptian and Jewish peoples in the form of a fantasy rivalry between the fictional kingdoms of Serubel and Theoria. This book is about slavery while whitewashing it and using it as a plot device, which for me is absolutely a no-go, especially coming from a white author. And of course this features an obligatory master/slave romance. Don't let the blurb fool you, nobody is a "servant" in this book. It's slavery.

  • Note - even more problems: 
I have a major problem with the cover. I understand that painting their skin is a thing that Sepora's people do. But it just awkwardly seems like one step removed from blackface to me. Maybe that's far-fetched, I'm well-aware that people of color didn't invent painting their skin and don't own this, but considering that this is a practice commonly associated with the indigenous peoples of some Pacific Islands, some African countries, or New Zealand, it leaves a bitter taste in my mouth. 

If Sepora was a person of color I wouldn't even have to mention this. I don't understand why she had to be white. I know many people who were put off by this cover -specifically- because it shows a white person with full body paint in one color and decided not to read this book or anything else by this author. Which I absolutely understand knowing that the content of the book matches the cover.

[HEY JEWISH OR EGYPTIAN REVIEWERS - have you reviewed this book? I'd be happy to link your reviews here, just shoot me an email or comment or whatever!]


Additional Info

Published: October 5th 2016
Pages: 368
Publisher: Feiwel & Friends
Genre: YA / High Fantasy
ISBN: 9781250070173

Synopsis:
"Princess Sepora of Serubel is the last Forger in all the five kingdoms. The spectorium she creates provides energy for all, but now her father has found a way to weaponize it, and his intentions to incite war force her to flee his grasp. She escapes across enemy lines into the kingdom of Theoria, but her plans to hide are thwarted when she is captured and placed in the young king’s servitude.

Tarik has just taken over rulership of Theoria, and must now face a new plague sweeping through his kingdom and killing his citizens. The last thing he needs is a troublesome servant vying for his attention. But Mistress Sepora will not be ignored. When the two finally meet face-to-face, they form an unlikely bond that complicates life in ways neither of them could have imagined.

Sepora's gift may be able to save Tarik’s kingdom. But should she risk exposing herself and her growing feelings for her nemesis?"
(Source: Goodreads)


So... that was exhausting. Tell me something nice? Maybe about an #ownvoices book that has good representation of people of color?

Continue Reading...

Monday, November 28, 2016

[Review] The Blazing Star - Imani Josey: Time-Travel and Ancient Egypt

In THE BLAZING STAR, Portia touches a scarab and accidentally time-travels to ancient Egypt.

What intrigued me: Black girl on the cover! <3

Slow Start, but Killer Setting

THE BLAZING STAR is a hard one. It takes an immense amount of time until the premise kicks in. The first 60ish pages are spent introducing characters and bantering and simply filler. I almost lost interest completely because the premise of time-travel and ancient Egypt just isn't delivering from the get-go. Especially because this is only 239 pages that's a little disappointing. But I'm glad I stuck around. 

When protagonist Portia is finally transported to Egypt, Josey packs a punch and shows what she's capable of. THE BLAZING STAR is written beautifully, with lush imagery and such an ease that it's a pleasure to fly through the story. I'm fascinated with the time travel aspect and it's one of my favorite favorite things to read about. Josey definitely didn't disappoint, she amazed. 

I just love love love Josey's rendition of ancient Egypt. I had the images right before my eyes and felt like a lot of research went into creating this. Culturally sensitive and lovely, I just love how Josey doesn't play into stereotypes and strives for authenticity instead. All my love for seeing writers strive for that.

Diversity and Charming Egyptians

Because of the slow beginning in the high school there's a lot of time to be spent with Portia and the side characters, but the characters I grew to love the most are actually -all- Egyptians. Her world building and characters are just so much stronger in this part of the book and I wish wish wish that there had been more. Because the characters and the world are that great. 

I think it's obvious that this is an extremely diverse book starring a Black protagonist (I mean look at the gorgeous cover), but I'm still going to spell it out. This book mostly takes place in ancient Egypt and of course everyone is Black. Extremely diverse and extremely great.

Go read THE BLAZING STAR.


Rating:

★★★½☆

 



Overall: Do I Recommend?

If you can look over the structural issues, THE BLAZING STAR is definitely a book you shouldn't skip if you love fantasy, diversity, and time-travel. Portia's journey through ancient Egypt is mesmerizing and so is Imani Josey's writing.


// review copy provided by Rich in Variety Tours //


Additional Info

Published: December 6th 2016
Pages: 239
Publisher: Wise Ink
Genre: YA / Historical Fantasy
ISBN: 9781945769160

Synopsis:
"Sixteen-year-old Portia White is used to being overlooked—after all, her twin sister Alex is a literal genius.

But when Portia holds an Egyptian scarab beetle during history class, she takes center stage in a way she never expected: she faints. Upon waking, she is stronger, faster, and braver than before. And when she accidentally touches the scarab again?

She wakes up in ancient Egypt—her sister and an unwitting freshman in tow.

Great.

Mysterious and beautiful, Egypt is more than they could have ever imagined from their days in the classroom. History comes alive as the three teens realize that getting back to the present will be the most difficult thing they’ve ever done. Stalked by vicious monsters called Scorpions, every step in the right direction means a step closer to danger.

As Portia and the girls discover that they’re linked to the past by more than just chance, they have to decide what it truly means to be yourself, to love your sister, and to find your way home."(Source: Goodreads)



What's your favorite time-travel read?

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